#who doesn't write

[poisonedtealeafs]

shit you find at my uni and noone knows what it is...

it's definitely sprayed with something non permanent. there are neon yellow footprints around it, from ppl who stepped through it.

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[akanemnon]

Shouldn't there be a minotaur in the labyrinth? Who put this goat here? This is not accurate to the mythology! /j

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[misteria247]

I'm realizing that Stan is actually incredibly smart. Like in a Ford kind of way to some extent.

Like yes Stan's street smart and life smart but he's also got the smarts that Ford's praised for. Because he had rebuilt the portal and figured out his brother's notes and equations.

Like do you know how hard math is on Ford and Fiddleford's level of expertise??? How complicated and delicate it is????? Especially the kind that brings portals to life???? And Stan figured it out. Had taught himself to read and comprehend these difficult things. Difficult things that requires college degrees in science and mathematics.

And Stan did this on an incomplete high school grade level of academics.

That's fucking nuts. Sure it took 30 years but he learned it. By himself, can you imagine how frustrated he got, teaching himself Ford's educational level??? Using his mechanical skills of fixing his car to be up to par to Fiddleford's impressive craftsmanship????

And I can just see how Ford and Fiddleford react post apocalypse. Ford doing equations and science stuff and talking while Fiddleford listens and gives his input when Stan pipes up unintentionally and puts his hat into the ring. And it's mathematically sound?? And these two men are just blown away cuz what the actual hell?? Ford's immediately questioning Stan, wanting to hear his thoughts while Fiddleford watches impressed and Stan's mortified and a bit overwhelmed. Or Fiddleford working on something and Ford's watching him when Stan points out a better way to make a part work and Fidds is like omg thank you Stanley??? And Ford's looking at his little brother dumbfounded and itching to bomb him with questions and whatnot.

Stan never knows peace afterwards.

[mischievous-thunder]

A very delirious Wade half an hour later:

[anneapocalypse]

So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.

[bluerosefox]

Genie Gave Me a Brother AU

-Slams DPxDC door open and tosses AU idea on table-

Tim's parents send home an artifact that is said to able to grant wishes! While being curious about it Tim messes with the artifact and when he 'solves' it, according to legend one must solve it to get a wish, he wishes he wasn't alone anymore.

The object glows bright and as he shields his eyes he can hear.

'So you have wished it, so it shall be!'

He gets his wish in the form of a recently reincarnated ghost!King (who entered the DC world for a reincarnated vaycay... he should had known something was going to happen because CW was encouraging the break) Danny whose just a baby/toddler right now.

Basically, big brother Tim and baby Danny adventures in Gotham after that.

[flamingpudding]

Guys it's just merch

Danny watched with a smile hidden behind his mug of hot cocoa his new family. Originally he was only going to mess with them a little, since he wanted to keep his civilian live he gained with them but at the same time wanted to kind of provoke them to tell him about their night time jobs on their own.

Not like he could just flat out tell them he knew about their vigilantes lifes and that would be embarrassing to explain.

It's not every day that Danny's powers fluked on him, but with the stress of the past months, it happened. Right at a moment, he had to be clumsy and trip over his own feet and accidentally phased through a grandfather's clock, finding a hidden passage. Well at least he learned that way that Batman hadn't placed him with some other rich fruitloop that wasn't his godfather but well... with Batman himself and his family out of mask.

Yeah no, he did not want to explain that and hoped they would do that themselves. But apparently, they took Danny's statement of wanting a normal life a bit too serious.

Which brought him back to his current entertainment in the form of messing with his siblings.

"I don't get what the problem is guys. It's just merch." He chuckled slightly at the face Damian was making. While Jason chose to kick Tim under the table.

"Soooo how much merch on Red Robin do you have with this shirt now?" Dick asked instead with a bright smile, Danny still hadn't figured out how to tell what emotion he hid behind them sometimes.

"I think this is my third shirt of him." Danny mused, placing his cup back on the table and tapping his lip in a thinking motion. "Though I was going to pick up a couple of custom-made jackets of Red Hood and a Nightwing plush later today."

He acted like he did not hear the triumph like hiss of 'yes' from Jason as well as the very upset huff of Damian.

He just grinned at the amusement about how they apparently were competing over how much merch he owned of each of them.

When he found a Robin figure and several Robin pins mysteriously placed on his desk the next morning, he broke out laughing. Yet still just to mess with them gushed about his newly gotten merch to his family while sharing a knowing look with Alfred who knew he was just messing with them.

If there was a surprising amount of Batman merch, suddenly mixed into what he already owned the following week without his knowledge. Well, he wasn't going to complain about free stuff.

But he still would get a good laugh out of their reactions on the day he decided to full on dawn every piece of Batman merge instead of theirs.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[ariaste]

Me: [sees everyone talking about how Assad Zaman was "literally" coming up with RPF about himself and Eric Bogosian in an interview]

Me: ah, fandom's doing its little "interpret an innocent comment in Some Kind Of Way" thing again, let's go find the video and do our own critical thinking about what was actually said here--

Assad: What would happen if I said-- [words that cannot be interpreted as anything but RPF fanfic]

Me:

Me: ok fandom gets a pass on this one actually

[thesituationship]

I actually do need all the angsty artists and writers to remember, ford is an optimistic person. This man is full of enthusiasm and whimsy. His love of all things weird is infectious. It's why he gets along with Mabel so well. Hell, it's why his autistic rizz manages to pull two bitches. His manic pixie dream girl energy is off the charts.

Think about how lucky we are. As a mad scientist, with a giant ego, who found it hard to connect with people emotionally, it would have been soo easy to write ford as cold, crude, cynical. Rick Sanchez or Dr House coded. I beg you, don't squander the whimsy.

[zephyrchama]

It doesn't take a long time, but the magic to traverse realms is incredibly draining, both physically and mentally. It takes a long time to prepare for. The journey can take over a week to recover from. Plus, you can't seem to get a grip on the landing. It always spits you out somewhere random, usually on top of someone, with no time to land on your feet.

When you finally get to the Devildom, a minimum of seven beings immediately attach themselves to your hip. It's even more tiring. You fight to stay upright while a couple of them cling to you for dear life. The others start squabbling and pull you every which way like a game of tug-of-war. There's a lot being said at the same time, a lot of tearful reuniting, some arguing, loads of pleasantries, and plans to hang out later that are going in one ear and out the other. You're not sure which is more exhausting - this or the magic.

But at the end of the day when all is said and done, you feel safe and at home. There's a warm meal waiting for you. It's practically a feast with all of your favorites, cut into easy-to-eat bites. Your room is ready and waiting, though it's not exactly the way you left it. It's clean, with freshly laundered blankets and a small mountain of wrapped gifts on the carpet you have to step around. The closet is full of clean towels and a few new articles of clothing you haven't seen before.

There's a lineup of stuffed dolls by your pillows. Even without a card, you can tell exactly who left what plush toy. You feel ready to sleep the instant you lay down. There's additional water and snacks on the table and a truce in place that no one is to bother you until you've had a full night's rest.

That doesn't stop them from standing in the hallway to guard the door like a squad of loyal sentries. If their not-so-subtle bickering gets on your nerves, you can invite them in or chase them away.

It's a strange feeling. You never imagined that hell could be the happiest place.

[technically-human]

Ooh, now that we’ve seen N!Edwin and DP!Edwin talk about Feelings could we see the same with N!Charles and DP!Charles?

As simple as that.

Edwins version

ko-fi

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[honnelander]

go fish!

so i fell in love with Sanji just like everyone else. i've never seen the one piece anime or read the manga so i'm solely going off of the live action. i had fun writing this and plan to make this a series of some sorts where it's a fem!reader x Sanji moments of awkwardness, fluff, and mutual pining because i love reading that stuff myself. if anyone has any suggestions or requests for this series please leave a comment or send me an ask!

WARNINGS: none

word count: 1.3k

pairing: opla!sanji x reader

summary: reader and Usopp are playing a card game when Sanji finds them. teasing ensues.

prequel part 2 part 3 part 4 masterlist

“Care for a refreshment, Madam?” a smooth, deep familiar voice asked to your left, breaking your concentration on the card game in front of you. 

“Hm?” you looked up from the cards in your hand and saw the Going Merry’s own chef looking down at you with a crooked, charming smile as he held a chilled glass bottle of water in his hand. “Oh, hey Sanji,” you greeted quickly with your usual smile as you looked back down at your hand. “What’d you say? Go fish Usopp.” 

Your opponent across the barrel from you grumbled as he took the top card off the deck sitting between you both. 

“I was just asking if the lovely madam sitting here would like a nice, cold refreshment on this particularly hot day?” Sanji asked again with a hint of amusement, his crooked smile deepening as he watched you study your hand once again. 

“’Lovely madam’?” Usopp repeated sarcastically, his eyebrows pulling together. “What about offering her super buff, brave, and heroic opponent an ice-cold beverage instead?” 

“Nope,” Sanji corrected, popping the 'p'. “Ladies first Usopp. Always.” 

Even after knowing Sanji for a couple of months now, his consistent chivalry always managed to make your heart flutter.  

You laughed lightly and couldn’t help but smirk as you said with a matter-of-fact, teasing tone, “Just say you wish you were a girl, Usopp. No judgment here.” You paused for a moment before asking, “You got the five of spades?” 

“Now even though I would make an extremely attractive, gorgeous woman, I am a man through and through.” A grin broke out on Usopp’s face as he glanced at his hand and triumphantly called out, “Go fish, y/n.” 

“Fair enough,” you hummed as you reached for a card. “And yes Sanji, I would love a glass of cold water. Thank you.” You shot a quick look of gratitude the chef’s way as you took a card from the deck. 

Sanji placed the two glasses onto your makeshift barrell-table top he was holding in his left hand and started filling up the glasses with water. “Of course. Anything for the missus.” 

Missus. Ugh. It made your heart skip a beat to hear him call you that. But you knew he didn’t really mean anything by it. It was just how Sanji spoke, forever the gentleman. 

“Oof. If you keep sweet talking like that Sanji, you’re going to even make me blush, just like y/n,” Usopp joked. 

Your eyes widened as your eyes snapped to look at your dumbass crewmate and friend sitting across from you. “I- I am not blushing Usopp!” God, if you both were using a real table instead of a barrel right now you would’ve broken his shine with your foot. You really weren’t blushing before but Usopp’s stupid comment definitely made your cheeks heat up now. “It’s the heat,” you hissed.  

“’Heat’,” he mocked with air quotes and snorted. “Right.” 

“I-” before you could defend yourself, Sanji spoke up. 

“Actually,” the blonde chef chimed in with a light laugh as he filled the second glass, “that’s why I came over in the first place. You were looking a little flushed y/n, so I thought you guys could use a cold drink.” 

Sanji’s words caused both you and Usopp to look up from your cards simultaneously, making eye contact with each other. A mischievous grin started to form on Usopp’s face as he saw the blush deepen on your face. You quickly looked back to your hand, suddenly finding the eight of clovers card extremely interesting.  

Sanji saw you looking flushed? He saw you? From across the deck? From inside the kitchen’s window? He was watching you play cards? The thought of Sanji watching you when you didn’t expect him to made your stomach erupt in butterflies, and it certainly didn’t make your stupid little crush on him go away. Just the opposite. In fact, it just fueled your delusional fantasy even more.  

And it certainly didn’t help that the only person who knew about your crush on the head chef just so happened to have a big mouth and loved to tease you about it any chance he got. And that he was sitting right across from you right now, watching all of this unfold right in front of him. 

“Oh? So you were watching y/n and I play cards out here?” Usopp innocently asked his blonde crewmate, but you knew better. There wasn’t an ounce of true curiosity in his tone whatsoever. 

“Yeah, from the kitchen,” Sanji answered casually as he recapped the glass water bottle. 

“Usopp,” you warned. 

“And you said that she looked ‘flushed’?” Usopp asked, quirking a brow at the end of his question as he turned his gaze from you to Sanji. 

Sanji blinked in confusion, his eyebrows knitting together for a second before looking down at his crewmate. “Yeah...” he said slowly before continuing, “Her cheeks looked a little pink so I figured-” 

“Oh?” Usopp asked, his voice becoming louder. “You noticed the color of her cheeks, from that far away?” 

“Usopp,” you hissed louder but it fell on deaf ears. Once your friend got on a roll, there was little anyone could do about it. Especially when it came to teasing you about your feelings for Sanji. 

“Yeah,” Sanji replied to Usopp’s question with a confused smile. “What are you-” 

“GO FISH!” you blurted out loudly, cutting Sanji off and having both men turn their eyes towards you.  

“Huh?” Usopp blinked his eyes at you, suddenly remembering the game in front of him. “But I didn’t even ask you anything y/n. And you just drew a card, so it’s your turn to ask me.” 

You let out a quiet sigh of relief at the fact that Usopp stopped grilling Sanji with all of those embarrassing questions right in front of you....even though you couldn’t help but perk up at the fact that Sanji in fact had been watching you from the kitchen, and that he was sweet enough to bring you (and Usopp) some water.  

“Well, I tried,” you shrugged and lied, “but you just kept yapping so you didn’t hear me. Do you have the Queen of hearts?” 

Usopp studied you for a brief moment before looking at his cards, smirking to himself. “You know y/n, it’s funny you asked about the Queen of hearts,” he said as he plucked the requested card from his hand and reached out to give it to you, “since you make heart eyes yourself whenever you look at-” 

“GOOD game Usopp!” you practically yelled as you threw your cards down onto the barrel and stood up, hoping your outburst drowned out the name Usopp was about to so stupidly blurt out. You shook his free hand with both of yours as you said, “You totally win my friend.” 

“What?” Sanji laughed slightly as he watched you and Usopp shake hands. The poor guy was as confused as ever. “But the game isn’t over.” 

You looked Usopp dead in the eye as tightened your grip on his hand. “Oh no, it’s over. He definitely won.”  

Yeah, he won alright. He won the game of making your life a living hell and embarrassing you in front of Sanji. He won the gold medal in that game. 

“I sure did,” Usopp agreed triumphantly, putting his cards down. 

You dropped his hand and took the glass of cold water that Sanji had so generously poured, the cold glass making you feel better already. “Thank you for this Sanji. I think I’ll go enjoy this on my hammock inside.” 

You couldn’t bear to look at Sanji, feeling humiliated for no reason with your face on fire, you stepped away from the barrel sipping your water as you made your way across the deck towards the ship’s living quarters.  

“Yeah, that’s a good idea y/n!” Usopp called, giddy from the high that could only come from successfully teasing a friend. “Maybe that’ll help calm down your flushed face!” 

Before stepping inside, you flipped off a laughing Usopp, completely missing the brief look of disappointment in Sanji’s eyes as he watched you go.